Join us Friday 13th June, 2025 as part of the London Festival of Architecture.

UCL East, Marshgate
7 Sidings Street
E20 2AE

Sessions at 11am, 1pm and 3pm.

NON-PLACES TO NEW SPACES proposes a practical framework for uncovering  how buildings live once they are inhabited.

Focusing on UCL East, Marshgate, in London, the project explores a building layered with forgotten histories, local mythologies, and personal stories - narratives often overlooked in conventional urban development. These embodied experiences shape how people relate to the site, subtly influencing memory, movement, and meaning.

Through community engagement, the project gathers voices from the site’s neighbours, visitors, and everyday users, contrasting preconceived ideas of how the site ‘should’ behave (its mythologies) with lived experiences of how it ‘would’ behave (its secrets).

The project offers a framework for architects and spatial designers to work with place-based narrative as a design tool - transforming overlooked or ‘non-places’ into meaningful, resonant environments.

The methodology underpinning the project employs a matrix based on three core themes: Voice, Narrative, and Perception.

Voice reflects how different groups engage with the building. Neighbours are those who live or work nearby. The building may feature in their daily landscape, yet remain unfamiliar or inaccessible. Visitors enter the space occasionally - attending events, meetings, or passing through - developing only a partial relationship. Users, such as students and staff, occupy the building more fully. Their interactions with it are regular, often informal, and layered with routine and memory.

Narrative explores the stories that shape understanding of the building - both public and personal. On one side are Mythologies: the shared expectations, institutional messages, and social assumptions about what the building ‘should’ be. These are projected narratives, often formed before stepping inside.

On the other side are Secrets: the embodied, often unspoken experiences that emerge through daily use. These might include private moments, personal associations, or unintentional uses of space. They reflect what the building ‘would’ be in practice.

By bringing Mythology and Secret together under the theme of Narrative, the project recognises that meaning in architecture is not fixed or singular. It is shaped through an ongoing dialogue between the projected and the lived.

Perception focuses on two ways of reading space: ‘How deep are you here?’ and ‘How far do you see?’ These prompts encourage reflection on presence, awareness, and involvement - whether someone feels part of the building’s fabric or positioned at its edges, and how far their engagement extends, physically or socially.

The intersections between these themes are organised into a series of matrices, allowing each intersection to be represented. From this, the project proposes 24 practical tasks, each linked to a specific point within the matrix.

The tasks are open-ended, site-specific, and reflective. They might involve retracing a familiar route, observing how light or sound moves through a space, or identifying areas that feel particularly inviting or uncomfortable. Through these small acts, participants surface insights that are often intuitive or hard to articulate - revealing their personal geographies and responses to the building.

By encouraging participation through action, rather than relying solely on verbal description, the project highlights how use itself becomes a form of understanding. These responses draw attention to how buildings are continually reshaped through movement, memory, and perception - not just by design.

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Non-Places To New Spaces - LSBU